It sure is the holiday season. I can tell because I have been in a constant state of cold for about two months now.
Posts published in “On Shuffle”
While I was home on break, I was helping my mom dig some old decorations out of the attic and stumbled upon some of her dad’s old records.
It’s been a tradition for my family to watch the award shows when it is that time of year. Recently, the 2026 Grammy Nominations were released, and it’s one of the best line-ups I’ve seen in a while.
Spotify is slowly becoming a monopoly in the music streaming industry. The only thing that they have been missing is lossless audio formatting, or FLAC files.
When does inspiration strike? Is it when we are outrageously emotional, pure yearning and sorrow consuming the mind? Is it when we first realize we are in love with someone and that ethereal, almost scary ache bolts through the heart?
Unless you’ve been living under a rock, you know that the new album, The Life of a Showgirl by Taylor Swift, was released on October 3.
If you’re a member of the Intelligent Dance Music (IDM) community, you have probably heard of Aphex Twin. If not, you have, but I’ll jog your memory — the guy who has an uncanny grin on his album art, and sometimes his music will be in the background of TikToks.
This week I was going to review the new Taylor Swift album, The Life of a Showgirl, which was just released on an autumnal October 3.
The second I see a little bit of yellow on any of the trees, I naturally start to develop an urge to listen to the blues, folk, and bluegrass music.
Everyone seems to be talking about alternative, underground indie music these days. The Clairo-loving matcha drinkers and their yuppie music taste that makes them feel like the coolest people in the world when they talk about their “eclectic” music catalog.