I think it’s funny that whenever I have a busy week, I end up writing a thoughtful piece — the kind that’s less of an analysis and more of a conversation.
Posts published in “Artist Spotlight”
Valentine’s Day feels like the most confusing holiday. It juxtaposes superficial acts of endearment and very traditional, healthy methods of courageous intimacy in a way that’s both condescending and admirable.
Over winter break, I spent a few weeks in Wisconsin for a short internship in the Upper Peninsula. Despite the distance, my family and I drove a couple hours south to Milwaukee to see what the city had to offer.
I’ve been writing the Artist Spotlight column for nearly three and a half years now. In around five months, I’ll write my last Artist Spotlight article, rounding out a successful attempt at bringing digestible art-related content to my predominantly STEM-focused engineering school.
Having recently played a lot of GeoGuessr, I’ve become particularly interested in the “meta” of different geographic landscapes. Admittedly, my memory is poor for the varying telephone poles, foliage, and Google cars.
As spooky season approaches, I typically have the privilege of writing a Halloween-related article, which gets released with our themed issue.
In recent weeks, I’ve been very pleased with the quality of the Artist Spotlight articles that I’ve been able to release.
Picture yourself as a hollow wooden box. If you had to fill yourself with objects and memories that best represent your character, what would you choose?
Last spring, I visited the Hirshhorn Museum in Washington D.C., a popular contemporary art collection and exhibit space that I’ve frequented.
Is it wrong to be captivated by unsettling art? There’s a strangely invigorating energy associated with the chilling themes, styles, and compositions — elements that make unsettling art so compelling.